ベン・ブラウント作「ステイ」

The screen print by Jeremy Fish is the standout here, the sausage king gag landed perfectly on my kitchen wall. Colors are bold and the paper feels substantial, no flimsy poster stock.

The letterpress texture on the Bristol really shows up in raking light, way more depth than a flat digital print. It arrived packed flat and square, no bent corners, and it's already up in my hallway.

The screen print has a nice weight to the ink that really pops against my wall. I hung it next to a smaller piece and it holds its own without looking busy.